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Lost Alternatives

Before the travelling, before the boy band, before the punk trio, there once was a band called 3 1/2 Minutes. The running gag is the name represents how long we lasted, but I digress. It was a great time, I was privileged to support many cools bands and sign a record deal before my 18th birthday.

The reason I’m writing something now is the recent lp compiled by Steve Lamacq, entitled Lost Alternatives. Now I’d be lying if I wasn’t temporarily excited to “maybe” see that Feelings M could have “possibly” been there in the track-listing – Lammo was a fan of the band after all. We were local to Harlow too and ended up supporting his fave bands of that time, such as Kingmaker, Mega City Four and Senseless Things. We even got a Single of the Week in NME and our debut single was aired on the Evening Session, just after a Stone Temple Pilots song.

But back to Lost Alternatives and my connection with some of the bands.

There’s some great stuff on here, I remember getting Words That Say on 12″ for my birthday and playing it to death at my party. I loved Mega City Four, Terribly Sorry Bob was on rotation in the van’s cassette player when we toured.

I remember us supporting The Family Cat at The Wheatsheaf in Stoke, we almost didn’t play as the driver got really lost on the one way system! I’m ashamed to say that this was during a time of advanced kleptomania and we nicked a few things from the dressing room. Sorry about that.

We played a few times with Senseless Things, I was a bit overwhelmed after bumping into Mark Keds backstage! I also had a nosebleed whilst playing and had to clean the cymbals after that gig..

Suede 100% needed to be in there. I was swept up in the crazy hype machine, made all too real after we opened for them at the Town & Country Club. Blur headlined, Damon was extremely drunk – well, Popscene had just been released and most of the audience were there for Suede, so probably not the best day of his life.

When in Travis Cut, we went on tour with Audioweb, a really ace bunch of guys – we ended up witnessing a brilliant prank on the tour manager involving the sleeper-bus toilets and a fake turd.

As for Rialto, 3 1/2 Minutes played some gigs with them when they were called Kinky Machine. And that’s all I’m gonna say.

We supported Strangelove at The Borderline, one of those bands that just didn’t go all the way..

Like Strangelove, Scarfo never made it big – I remember Lammo being really excited when playing them on the Evening Session. Travis Cut featured on a punk compilation with them, called “The Best Rock in England, Son”

How good were Ultrasound – another NME band set for the same treatment Suede had. I bought Stay Young on cd single, sat my flatmate down and made him listen to the whole track.

After leaving 3 1/2 Minutes I auditioned for Mansun, but alas, Liverpool seemed a bit too far to relocate from Essex at that time.

I’m looking forward to finding this on vinyl for Record Store Day and would love to attend a listening party.

As with all forgotten bands that had a niche following, I’m attempting to the get the first 2 EP’s by 3 1/2 Minutes re-released, so watch this space? As for an actual gig, well that’s 100% unlikely. It’s been a nice trip down 90’s indie memory lane, more blogs to follow on this crazy time I’m sure.

 

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Staying 25.

IMG_1135.JPGHaving a best mate die is a hard thing to deal with. I’m sure a speak for a lot of people, but when they go as unexpected as Sam did it knocks you for six. I think we are prepared for grandparents or family friends with ailments to depart in a gradual and sad but expected manner – but when someone the same age is suddenly taken away from you, it’s a classic mixture of denial, anger, sadness and grief. I lost Sam in the Paddington train crash, 17 years ago today.

We’d only just got back in touch after my relocation to London and his new job after graduating. I always knew Sam would land on his feet. Savvy, charming, an interest in tech and good music, he was destined to be another Richard Branson. He had a flat he was renting in Bloomsbury and I remember stopping by, quickly chatting about Van Morrison then sinking a few pints at The Hope pub near Goodge Street tube. Ironically, we had both spent 2 weeks doing work experience round the corner at Palace Pictures in 1990; and here we were, now living and working in London.

Sam was a secondary school friend, he joined in the 2nd year so was entering a class of 26 boys who had all made decisions on who to stick with the year before. It was clear he would have no trouble making friends, and soon enough our interest in The Blues Brothers, Eric Clapton and Prince made us firm friends. Being of Italian origin, an evening spent round his home was vibrant, noisy and full of good food and conversation. Between him and his 3 siblings and parents, I felt immediately at home and part of the family, something all Italian families I’m sure would wish to achieve with their guests.

We stayed pals after school, went on holidays and I frequently stayed over for boozy nights out while he was a student at Guildford Uni. As I’m sure every 20-something male will testify, once a girlfriend joins the scene, there can be periods where you don’t see your mates as much, but we managed to spin the plates and stay in touch.

I’d called him about meeting for a drink and we had a great time reminiscing at The Hope and talking about our futures. Sam had a new role set up with a telecoms company in Slough , I was learning the ropes in live television – it seemed we were all set up for the next stage in our lives: career, London life and good times.

And then I got the phone call whilst at work from my Dad, telling me that Sam was on the train involved in the the Paddington rail crash. The immediate instinct was to head home back to Essex and then visit his family. All the way home I played Astral Weeks by Van Morrison, whilst going through those series of emotions that would prey on me for the next year or so.
It was hard dealing with the fact I wouldn’t see Sam ever again, even harder spending some time with his family as we shared the raw feeling of loss and anger. Why him? Why? It just wasn’t fair.
I had the heartbreaking choice of suggesting relevant songs for his funeral, songs I still can’t to listen to to this day. Seeing his coffin being lowered into the ground as his family wept is something that will never leave me.

I like to think that whatever I do now, and the choices I make are something he would appreciate or smile at. I know his death is responsible for my apprehension in making new friends. I only go so far with new friends now, to the point that if it gets any closer I will take a step back at the risk of losing them too. I miss him and always will, but he motivates me, reminds me of family, a time of opportunity, appreciating classic rock music. And above all, what friendship is really about. Being there.

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The Ballad of Envy.

It’s 1995, and I was leading a strange double life. On certain nights, I would be playing in some indie venue somewhere in the country, bashing out 45 mins of fast power punk. Other nights, I’d be in my glad rags, at Dukes in Chelmsford, dancing to the likes of Strike, Livin’ Joy and CJ Lewis. One day, an opportunity was presented in the form of an ad posted at my Sister’s college. Pre-dating Simon Cowell by almost a decade and with Take That, Boyzone and PJ & Duncan being all the rage, a TV production company was looking to put together a new boy-band; and would be filming the whole process. First step was to submit a photo. After being selected, I was asked to learn 2 songs and attend an open audition in London. I won’t bore you with the process of open auditions – they take ages, the butterflies get worse with each number called out, and once in the room it goes like a flash, leaving you with the nasty feeling of what could have been said or done better whilst taking the long trip home. If you’re interested, the 2 songs we had to sing were either Love Me For A Reason, or Never Gonna Give You Up. I chose the latter. Everyone else chose the former. I wasn’t selected. The programme got made, a boy-band was born, they were called “Upside Down”. They then vanished. But my curiosity had been fanned, and by my 21st birthday I’d decided to call it a day with the punk band, and attempt a more mainstream road into music. This would lead to countless parties, sleazy managers, Patti Boyd, major record labels and a debut gig in Dudley never to be forgotten…

I’d gotten in to the habit of buying The Stage, in some vain hope the perfect ad would appear. I’d now departed the punk band, and had already missed out on the opportunity to be in a boy band with Carl, an old mate from school. His band had gone on to get signed at Telstar Records, flown to New York to film a video, and performed first on the bill at the Royal Albert Hall, supporting PJ & Duncan.

Then I spotted something in The Stage. “Boy Next Door” was a management/record company advertising opportunities for all kinds of acts and groups to be launched early 1996. A friend of mine had already attended an audition, so I took it on myself to call the label up and arranged a visit. The company was basically one guy. Called Glenn. In his flat. In Dulwich. The audition involved singing karaoke to a Take That video, and taking snap shots of me. Hmmm. Anyway, I was asked to get involved and become part of a duo, his flagship act. The other acts were a 6-piece boyband, and a trio. It soon transpired that this guy was a bit of a cowboy, earning some money dj’ing at the 2 Brewers in Clapham, with clearly not enough funds to market, record, and manage 3 pop acts. By this time, Carl had decided to call it a day with his band, and decided to get involved with Boy Next Door. He joined me when all things came to a bizarre head at a launch party in a seedy club called Brief Encounter in the West End. Group photo’s of each act were taken, champagne was distributed, and then contracts to sign were handed round. It was clearly a dodgy enterprise so myself, Carl, and another savvy guy called Matt made a swift exit. Finding ourselves at Carl’s friends place in West London we ended up talking about going it alone. With Carl’s contacts and Matt’s famous mum, things could be potentially exciting. After staying up all night chatting, another would-be boy band was born.

After an intensive bonding period of 2 weeks – basically going out, blagging free entry into clubs, and being with each other 24/7 it was time to think about a name, record some tracks and get the word out. We had high hopes, sitting in my car listening to Take That’s last ever (at the time) single playing on the radio. Who would replace them we thought? Well, it was Take That, but at the time who knew? Anyway, we had to let people know who we were. This involved attending more parties, naturally. One regular venue was The Chilled Eskimo in Ladbroke Grove, linked to actor Nick Pickard, who was starring in Hollyoaks. We’d picked up a manager with experience on the way – a big friendly guy named Phil, and had recorded 1 demo overnight in a Dartford studio (cheaper rates) with a songwriter/producer who clearly wanted a bit more than money as payment for his services. The demo we ended up with was a cheesy ballad about first kisses and last dances. A far cry from punk songs about unrequited love and hate mail! Anyway, we’d managed to call in lots of favours – Patti Boyd did a photo shoot for us and Telstar Records – Carl’s old label, were flirting with us on and off. These developments were enough to draft in another songwriter: Tim Hegarty from D:Ream. The track we recorded did sound like D:Ream, but hey, at least we could dance to this one. With the track in the can, all that was left was to perform it.

Things had moved pretty fast since the band’s inception in February 1996. Since then we’d blagged our way into the social circles of London’s pop industry, the Hollyoaks cast and even spent time with 1960’s pop royalty such as Patti Boyd and Clodagh Rodgers (Matt’s mum). We’d even attended a concert and got mobbed whilst sat in the car – very surreal. All that was left was to prove ourselves as a group and to start performing. We had a few sessions with a vocal tutor, an Opera singer who trained us in breathing, projection. We’d managed to record some more tracks and even got endorsement from a clothing brand, “Mossimo”. This basically meant we got to wear their clothes for free. Then, a gig opportunity presented itself. A day long roadshow in Dudley, Birmingham, featuring the pop acts of the day, such as Blair, Gemini, and the Byker Grove duo Donna Air was in. We’d spent one afternoon in Brixton with a choreographer, who taught us the routine to the Tim Hegarty track we’d recorded, “Free to Love”. We still had reservations about this song, it was a bit too D:ream sounding and there were other tracks we would have preferred to do. Nevertheless, the day of the gig came round quick and we all journeyed up to Dudley in Phil’s car. Carl was on filming duties with his camcorder. We were visibly nervous. It was a cold and wet day, our slot somewhere in the afternoon. We were to perform just the one song, miming to a backing track, Carl improvising vocals with a live microphone. Eventually it was our turn, we took to the stage to positive applause and loud screams from our friends. The track started. Then it suddenly jumped like a broken record. We looked at each other as Carl tried to remedy the situation with a joke and reassurance to the crowd. We went again from the top. Tape jumped again. By now our worst fears are being played out on stage, our nerves frayed with each second that goes by, as the track stutters and skips. Thankfully the compere comes on, joking about batteries running out, promising the crowd we would be back when the technical glitch is fixed. We see our manager Phil sweating over the DAT player, in denial about it being fucked. Carl ends up grabbing a cassette of the song from the car, which we use on our return to the stage. To be honest the performance went fine without any further glitches – our dance moves were slightly dodgy, and Matt was shaking his stick mic just like Liam Gallagher. We even get a mini on-stage interview from the compere due to the technical fault as an added extra. It’s all on film, uploaded for posterity on YouTube.Bizarrely, the afternoon took another bad turn when I got the news that my grandfather had died, after speaking to my folks from a pub payphone. Then on the way home, the car broke down.

Eventually we recorded one more demo, this time in Bognor Regis, working on a song called Keep On Loving. Quite a moody track with Soul II Soul strings, Carl sang lead whilst Matt and I provided backing vocals along with some spoken word breaks. Clodagh also provided some backing vocals. However, things started to fall apart after Carl went on an impromptu holiday, followed by Matt going overseas to the US.

Weeks later, we’re back in London chatting to a different manager, called Tim Smith – he’d managed Carl’s previous act Skream. Tim’s ideas were exciting, basically marketing us as a more edgy pop act, more like The Prodigy. This was right up my street but Carl seemed uninterested. We had sacked Phil in the meantime, hoping to get our record company contacts to find us a replacement. Soon it all started to fizzled away, and before we knew it the boy band was just a fond memory. The last time we were all together as a band was at a fancy dress birthday party for one of the backing dancers for Gina G. Again, captured on film, it’s an interesting snapshot of 3 young lads who already look like the music industry has chewed them up and spat them out.

We all live different lives now, but even though I’m still in touch with Matt and Carl, we haven’t all been in the same room since 1996; The same year that pop took a nosedive and Brit-pop came to the fore.

So what next? The boy band thing didn’t work, despite getting in with some established music industry bods and working with award winning songwriters. Sometimes its not all about who you know. I was now working and living in London and wondering what might be around the corner. Bizarrely, it was Glenn again, dodgy operator from Boy Next Door productions. He was now set up in a proper office and had enlisted the help of Jolene, a good friend of Carl’s and mine. All of a sudden the opportunity presented itself to be part of a 3 piece pop act along with my girlfriend at the time and with Jolene, naming ourselves ‘Frenzy”. Yeah, I know. So the same events as 1996 started to unfold once again; parties at The Chilled Eskimo, a creative photo-shoot clothed by Junky from Kensington Market. We even compered a road-show. A demo track was recorded (Taking Care of Business was the song title) but once again interest faded, relationships got frayed and before you knew it Frenzy was just another one-off, where now only the photo’s remain.

Despite the performance from hell, no record deal and a tinge of embarrassment of having actually been in a boy-band it was probably the most exciting 6 months of my life. Regardless of the music, being in a band is something I will always treasure. It’s hard to describe the collective bubble you’re in, either on stage, recording, or just walking into a room. I think it’s why bands always choose to reunite as you can miss the camaraderie –  the aching feeling that there’s just one more killer song or gig that needs to be done. Next year sees the 20 year anniversary of this whirlwind ride, but don’t expect a gig. A photoshoot and some free clothes would be nice though..

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On IVF and experiencing traumatic childbirth.

IMG_3275There’s the old adage that life gets harder as you get older and this year it really lived up to that. This blog post is not meant to be a “poor me” sympathy piece, or a cry for help. There are far worse things going on in the world every day, compared to the year I’ve had so far. No. It’s catharsis. It’s a chance for me to get it out in some way, to share with those who aren’t entirely comfortable asking what happened and to store it somewhere so I can read it years from now and reflect. This is also a culmination. The last 7 years have been a mix of joy, sadness, trauma and endurance.

So let’s just set the scene.

If we could have done things as nature intended our first child would now be 7. As it happened, we fell into the unexplained fertility category, which means using IVF treatment. But first you have to be trying naturally for 2 years before you are considered eligible. After that, you then have to provide blood tests every 6 months for HIV and Hepatitis, and semen specimens. For my wife Megan, Clomid was the first assisted method, a pill which pumps your body full of hormones and chemicals to help the body release more eggs. Side effects are anxiety, mood swings and headaches. This didn’t work, so a dye was put into Megan’s Fallopian tubes to check for blockages.

After another scan, Megan also had a polyp removed from the wall of her uterus, just in case this was causing problems.

Then once the doctor has approved it, the IVF process starts. First off, a 4 hour seminar for all couples about to go on the regime. Then regular blood tests. Daily medication of Gonal F and Bucerelin via self-injection or nasal spray – the spray was always sold out, so Megan regularly dealt with self injection. On average, Megan was self-injecting 2 solutions each night, resulting in bruises around her waist from the needles. This is all so the IVF clinic can effectively control Megan’s menstrual cycle, right down to a 24 hour window when the chance for multiple egg collection is at its highest. This is achieved by regular visits for scans – which is a probe put inside her, to check the follicles are responding. This constant method of monitoring lasts over a week, and once the eggs are a good size, it ends with a trigger injection.

Next its a visit to the clinic for egg and sperm collection. In a room, I have to produce ejaculate into a small pot and leave for collection. This is mixed with the good eggs taken out of Megan, we then have to wait a tense 24 hours to see if any of them fertilised. If they did, we go back to the clinic for embryo transfer back in to Megan. Her bladder needs to be full for this. Embryo’s are fed back into the uterus via a long thin needle. For the next 70 days Megan needs to insert a solution into herself and keep mobile for 10 minutes in order to keep the womb shielded. After a nervous 2 weeks, Megan would take a pregnancy test.

We went through this process 3 times. First time nothing happened, 2nd attempt there was a positive pregnancy test but this ended in miscarriage a week or so later. It’s an endurance test to remain hopeful but at the same time be ready for bad news. Megan knew her medical number by heart. She left full time employment in order to make sure her body wasn’t subjected to the rigours of commuting and work. We couldn’t plan our lives more than 6 months ahead. Being around babies and toddlers was a constant reminder of how people take for granted that simple act of procreation. We were at the mercy of drugs, tests and the clinical, soft spoken atmosphere of a medical waiting room.

And then finally, good news, Megan fell pregnant!

Here is what happened at the birth..

For starters, Megan was 2 weeks late. This meant the birth plan was irrelevant, no water or natural birth, the baby would need to be induced.

On a Friday afternoon, November 16th, 2012 we arrived at Rosie Hospital. Megan had mild contractions, but didn’t really feel them, but baby was fine. Megan had already had 3 attempted sweeps    after number 4, her cervix was paper thin. Megan and I stayed on the ward, advised her to go for walks, we were waiting until 20:00 for an update, then faced a further wait until Midnight when we were moved up to the delivery room. This was followed by more baby heartbeat and contraction monitoring, but in the end at 1 am her waters had to be broken for her (manually by the midwife).

Megan started to get period-like pains, backache and water discharge 20 mins later, by 4 am a drip feed of oxytocin was applied (they had trouble finding a vein!)

By 5am she was vomiting, getting contractions, and using gas & air. This wasn’t enough so she had an Epidural at 8 am. Megan was fully dilated by 10.00, Started pushing at 11. She was instructed to stop pushing as still some remnant of the cervix was left.

They turned up the drip. By 12.45 the cervix had gone, baby’s head was rotating.

She started pushing again but no results. By 15.00 pm the decision was made for forceps delivery, we didn’t get to theatre until 16.30. They attempted Forceps then vontuse which did not work, so Megan was given an emergency c-section. By this point the effort it had all taken and the drugs administered had reduced Megan to a shivering wreck – lying on the operating table and unable to hold Jonah because she was shaking so uncontrollably.

Despite losing nearly 2 litres of blood, no transfusion was given. She was discharged 2 days later with iron pills. Unfortunately these reacted badly with Megan and caused major pain and a black inky discharge. After returning to the Rosie at 3 am, Megan was kept under observation in a private room for the next 18 hours with little or no communication on what the actual problem was. In the end she was evicted from the room and sent home with antibiotics. Days later the muscular stomach pain caused her to resort to tramadol and we slept downstairs mainly for quick access to the kitchen and downstairs loo. This turn of events is a common occurrence, but experiencing something like this will never leave me.

I turned 40 back in October 2014, and it was my aim by that age to have a job that I wouldn’t ever have to leave. Unfortunately, by February 2015 I decided this wasn’t to be the case so I started job hunting and by the end of March I had a new role. Even better was that it was based from home and more money, great timing as we had just our 2nd baby (more on this later). However, despite it being the right choice to leave my old job, moving from media sales to vendor sales was a massive reality bat in the face. This isn’t a sales blog, there are waaaayyyyy too many of those you can read online but I will say one thing. Be passionate about what you’re selling, it pays dividends. I know some sales people out there would defend this and say they could sell anything to anyone, but try this in the games industry. I learnt very quickly that we are a passionate, emotive but introvert bunch. It takes a different type of salesperson to build a rapport with people in the games industry and if the higher-ups don’t understand that then you’re already facing a challenge. I’m referencing my old job here, where the outgoing MD lived and breathed the games industry and the new person who took over just didn’t give a shit. Just wanted to see growth. And with the more recent new job – well, it just didn’t suit me enough.

Anyway, I’ve covered my business trials and tribs a bit too much here and I’m guessing you’re wondering why 2015 was so bad if all it featured was moving jobs.

Let’s wind the clock back again..

August 2014, and we find we are pregnant again, this time conceived naturally. We were surprised and couldn’t be happier, but wanted to make sure that we didn’t suffer the long drawn out process of Jonah’s birth again – so in October we asked for a planned c-section. Thankfully this was accepted and we were able to enjoy the next few months knowing it was all booked in for April 10th, 2015. However, Megan’s waters broke on the 18th March. Not knowing what to do next, we visited The Rosie and they confirmed this had definitely happened. However, a c-section at 35 weeks was something they were cautious about – too early for baby’s lungs apparently so they instructed us to wait a week. Not knowing this was very risky, Megan stayed in for 2 nights (supposed to be 1, but no doctor ever arrived to discharge her) and she came home on Friday March 20th with antibiotics to stave off infection and 1 week to wait until the c-section. On Sunday afternoon, she had a “show” and informed the hospital. She was told to keep an eye out for any other signs. By that evening, around 21.30, Megan felt some tightenings around the groin and lower back so decided to call back The Rosie. She was asked to take painkillers. Within 20 minutes of hanging up the phone, Megan was experiencing powerful contractions and we were forced to call 999. I was instructed to get Megan lying down in the middle of the room, legs open and to look for a head. The realisation was a sudden shock to me. Luckily 2 paramedics arrived swiftly, and it was clear the baby was coming soon and no rush to the hospital was possible – not even time for a mid-wife to come out. The mid-wife was called and put on speaker-phone but she was inaudible under Megan’s screams. Luckily Jonah slept through the whole thing. I called my parents and asked them to come over ASAP. 2 more paramedics arrived and after some pushing, changing positions, Polly was born in our front room, violently exiting from Megan and sliding into a paramedics arms, just before 11pm. The paramedic gave her to me, and told Megan she’d had “a bit of a tear”. Far from it, Megan was very badly injured and had just suffered a 3rd perineal degree tear up the front and a 4th degree up the back passage. It was so severe it had ripped her all the way from her uterus to sphincter muscle. I’ll never forget her sat there in our lounge, white as a sheet, feet soaked in blood, surrounded by empty air canisters and covered in blankets. She was taken to Harlow for assessment. A consultant was called in to inspect her. After causing more pain by having to feel around her wound he recommended she be sent to Cambridge to be looked at by specialists. She was taken to Cambridge a few hours later, eventually she had 2 operations – one to stitch her up, the other to reroute her bowel via keyhole surgery and have a stoma bag fitted to enable contamination-free healing inside the back passage. 

The consultants hadn’t seen an injury this extreme in over a decade. She stayed at the hospital for a week, on the other side of the hospital from Polly. The events of that evening replay in my mind a lot; what if I’d decided to drive them to the hospital when contractions started? Why was this happening to us? First time round Megan couldn’t even hold Jonah, this time she couldn’t even see Polly and once we were out she wasn’t allowed to lift either of them. I got so emotional that day after Polly’s birth – seeing Megan laid up in a hospital bed, so badly injured and emaciated, but so overwhelmed by the support that I was getting. My sister dropped everything and drove straight from Worcestershire to join me, Megan’s sister-in law stayed all day with me at the hospital too. And my parents. Without them I would have struggled to look after Jonah whilst Megan was in hospital and they always came down for the numerous hospital trips that Megan had to do make whilst I was working.

Sometimes social media can give the wrong impression. I posted a picture of Polly, all wrapped up and a bit bruised when we were at the Harlow hospital in the early hours of her first morning. I said she’d been born in our front room. I think everyone assumed it had been planned, or went without too much stress but this was far from it. We’d suffered one of the most traumatic nights of our lives.

It’s now late 2015. Polly is a healthy baby and thankfully Megan was able to have the bag removed – she wasn’t allowed to lift for a while but we are finally on the road to being a happy, healthy normal family. And I’ve embarked on a new exciting career as a freelance sales manager. It made me realise that when something this drastic happens in your personal life, you actually take stock of everything else. Job, family, friends, commitments – you quickly find out what’s most important.

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